ONE - THE SCHEDULE for TUESDAY 1/27
3:30p - 5:15p
Mandatory Study Hall for Finals in the Auditorium
Food will be provided in Room 108
5:15p - 6:00p
Load up and travel to CoHo Theatre - 2257 NW Raleigh
6:00p - 7:30p
Tech Rehearsal at CoHoTheatre
7:30p - 9:00p
Public Reading at CoHo Theatre
9:00p - 9:30p
Load Up and Return to Wilson High School
TWO - FORMS
Wilson High School Administration is requiring that we treat this as a school sanctioned field trip. This means that every cast member as well as our SM and Stage Reader must have permission slips signed and returned by Monday 2/26. Please pick up these forms from stage management when in rehearsals.
THREE - DRIVERS
The rules for travel are:
a - a student may drive themselves but are not allowed to drive any other students - no exceptions
b - a guardian may drive their child, but no other students unless... (see c)
c - an adult driver may take more than one student if and only if they are on file with the school. These forms may also be picked up from stage management and need to be returned ASAP. We are in need of drivers, so please ask your parents if they are willing to transport - to and from - and if they are willing to be on file as an official driver. Currently, we have Jamie Miller and Matt Zrebski.
FOUR - PROMOTION
This event is an amazing opportunity for audiences to have an inside look at the process of new work. More times than not, audiences love seeing a reading and then going to the full production to see how it's all been fully realized. Please urge family and friends to attend and take advantage of seeing how a play goes from page to full production. Tickets are all "pay what you will" and can be purchased online or at-the-door. It is strongly advised that they get tickets in advance! The link: https://www.boxofficetickets.com/bot/wa/event?id=295713
Demurely dressed, her face covered in a veil, Negin Khapalwak, the first woman conductor of Afghanistan, with her baton, becomes a figure of protest and things beyond: she and her girls show us a way to survive the worst, to resist death through art, making it a statement of human idealism against the irredeemable reality of catastrophe which too, is man-made. Art, in this context, transcends its aesthetic function and becomes a moral act. An act coterminous with life itself in its race against death.
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