TW8 - Updated Strike Schedule

Strike has been shortened.

TOMORROW

SUNDAY 3/1

10:00a - 2:00p

MANDATORY unless you have made arrangements in advance with Jamie Miller.

TW8 - Pick Up / Filming Plan - TODAY!

PICK UP / TAPING / PHOTOS

TODAY W 2/26

4:00p

-Actors get immediately into costume / make-up

-Crew prep the stage

4:45p

-Run Begins (will be taped)

7:00p

-Photo Shoot Begins

9:00p*

Released

*As the photo shoot proceeds, and it becomes evident certain actors are done, people will be released sporadically. The Hooded Chorus and those involved in those scenes will likely be held the longest.

TW8 - General Schedule as Tech Continues

ACTOR SCHEDULE REMINDER

(crew may be slightly different and needs to check with Miller)

TECH / DRESS CONTINUES

M        2/17                 12:00p – 9:00p   

T         2/18                 4:15p – 10:30p            

W        2/19                 3:45p – 10:30p            

PERFORMANCE WEEK 1 

TH 2/20, F 2/21, SA 2/22                                           

5:30p CALL / 7:30p GO 

PICK UP, PICTURES, VIDEO

W        2/26                 4:00p – 9:00p              

PERFORMANCE WEEK 2 

TH 2/27, F 2/28, SA 2/29                                           

5:30p CALL / 7:30p GO 

STRIKE / ADDED SHOW 

SU       3/1                   10:00a – 6:00p  

Note that release times are almost 100% accurate, but...during tech / dress sometimes students need a little extra time to put away costumes and the like.  Parents / rides, please know we need a touch of flexibility, but no more than 15 minutes!

On M 2/17, dinner break is 5:00p - 5:30p
For all other dates, there will be food/snacks available for grazing starting around 4:30p.  There won't be set dinner times, given there are so many various things to get done.  But all will have time to get food.  That said, as always, bring your own food if you are concerned about what's available.  

TW8 - Schedule Flexibility (TECH!)

Due to many unforeseen challenging regarding lighting and scenic load-in, we are in a difficult position going into tech weekend.  

Everything has a solution - and there is no doubt the show will land beautifully, especially given the disciplined and passionate work of our entire company.  

BUT...

There will be some potential schedule changes coming up. Mostly, this will mean more time off - not more time at the theatre. And I assure you, nothing will get in the way of Winter Formal... The release time Saturday (3:00p) and call time Sunday (1:00p) remain unchanged.

What is likely to happen is an earlier call on Monday 2/17. Everyone prepare to adjust and be available by 10:00a on Monday (2 hours earlier than the currently scheduled 12:00p call). This may not be necessary, but we need to all be "on hold" for those two hours.  

As you know, I am loathe having to change schedules. I will also note, I've been very flexible about conflicts and have offered additional time off when I've been able to. So now, as a company, we need some flexibility from everyone.

I will continue to communicate as clearly as possible about the new plans as they become clearer so that you and your families are fully in the loop.

TW8 - Final Line Changes

Everyone needs to click HERE and look at the final line changes.  These are very small tweaks.  Almost all are the simple addition of proper names so as to clarify characters and plot.  Please try to implement these by the run on Thursday (tomorrow!)

Stage Management, you must also get these into your books.

TW8 - Notes (2-10-20)

NOTES from 2-10-20 rehearsal

HOODED CHORUS

In 1.8, the dolls need to actually be slid across your palms more deliberately.  Right now, a lot of you are not even really touching the dolls to your hands.  It should be extremely visceral.

DREW

When entering for 1.9, instead of coming through 2, come through 1, then travel through A to get up steps.  This way you won’t collide with the exiting chorus.  

HARPER

You are taking a lot of mini-pauses throughout scene 1.10.  You should be picking up all your cues aggressively.  There was a big one after “I’m so happy for you.”

TAYLOR

In 2.2, there is no pause between “Oh, my God.  Michelle.” and the next “Oh, my God.”  One flows instantly into the other – and you talk as you cross.

MICHELLE

in 2.2, you are really rushing the entire “He does.  I can tell…” line into the crying.  Let it drop in.  It’s a nice moment of seeing her pain.  

SEQ / BRIAN

In 2.2, you have to yell on the punch.  No options.  Do it.  The punch is also still not on the right angle.  When done properly, SEQ’s toes and Brian’s back are both angled exactly at 6.  Right now it’s not even close.  

LANE

At end of 2.2, exit 6, instead of 1.  This sets you up for your entrance in 2.3.

AUSTIN (and Amethyst)

At the top of 2.3, cross to Amethyst and take her hand on “All the more reason I’m sure they didn’t make it happen.”  We need to see some nice gentle intimacy between them.  And then, cross back to A, confused, on your “Oh.”

AUSTIN / AMETHYST / SHAWN

In 2.3, when you are listening and watching Lane rant, you all seem so relaxed and casual.  This display – so manic and “off” from Lane, should put a knot in all your stomachs.  We should see the active concern – maybe look at each other occasionally as if to silently say “What’s wrong with Lane?” 

DREW

In 2.7, “Block” is inaudible.  You need to attack the word as if you are saying “F-you.”  Go for it.

LANE

At the end of 2.9, are you still going to fully fold into yourself after Robin says “That I’ll be your nightlight…”?  I think you should – and then that action will cue the transition.

RONAN

In 2.11, your forced sotto voce whispering to Drew in “the store” is really hard to understand – mushy diction.

HOODED CHORUS

In 2.13, when you do the rise of hands to “crush” Robin, it the push down – the “crush” – needs to be really violent and “ugly”.  Go for it.  

RONAN

In 2.14, the line in reference to Princes:  “You mean that I would…” is not reading as what it means.  

RONAN

In 2.14, I think you sat early.  Make sure you sit right before “I can’t get out of bed in the morning.”  You can’t sit, then pause, then say the line.  The pause is the sitting and then you should speak.

HENRY

In 2.14, the cross on “What did you do?” is really odd.  You are “over-arcing” it.  So it looks like you are zig-zagging.  Round it out.

RONAN

The line “I couldn’t write your name.” makes no sense, because you are emphasizing “name” instead of “your”.  

AUSTIN

In 2.15, “One of Fincher’s finest” is not enunciated well.  Losing the line.

LANE

In 2.15, the entire section “something about inseminating…” is very casual right now…I think we need to see their disgust at it all – so when you say it gets weird and gross, we buy it.

LANE

In 2.15, “I didn’t want to see any of that.” – love the intensity, but reel in the volume and attack a bit there…let’s see the simmering and not the explosion.

LANE

Top of p137 in 2.15, “And then WhatWouldTylerDurdenDo can rot…” – that line has been misinterpreted by all of us, I think.  In that moment, you are in agreement with Austin – you are excited by it.  It’s important, because you all get on the same page there and you turn to Shawn for help.  And then later, they are baffled, because the plan worked – but Lane still can’t let it go.  

HARPER

In 2.16, again…taking tons of mini-pauses before lines.  Be careful. 

ANDY

In 2.16 – but also in general - so much “fry” today.  I think it’s because Andy is such a grump – it’s easy to fall into the trap of letting his lines drop.  But…let his “grumpiness” be more aggressive.  Your best vocal work is at the top of 2.2 when you’re arguing about Hamlet.  Keep that vocal support in other places too!

BLAKE

In 2.16, “Liked” – we are losing the “k”.

HENRY

Top of 2.17, the run in is dangerous.  You can’t cut the corner like that.  Maybe change it so you run in to the middle of C instead of going to the block.  

TAYLOR

In 2.17, the first time you say “You weren’t close” – “You” is the operative, not “close”.  You need to think of it as “You weren’t close, because you are a boy.” That’s the meaning.

HARPER / WILEY

In 2.19, you are consistently 4 beats early to begin and so are ending 4 beats early…and then we all wait…

KAI / ELI

In 2.19, the bags of dolls will eventually be altered to wear along your belt line, so you will reach into the that way instead of bending down.

AUSTIN

In 2.19, your line “Your guy is a Samurai movie buff.” is a big moment.  Land that line with some excitement that you have solved the mystery for them.

RONAN

Monologue at top of 2.20, “What was it in me…”  In those lines, “me” is the operative.  

SHAWN / AUSTIN / AMETHYST

2.21 was better, actually, but still…cut every single beat / pause.  Move this forward with great anxiety and pace until Lane enters…then you all slow down as deep suspicion and accusatory energy takes over.

LANE

Final monologue.  At times, it’s reading as though Lane really is a psychotic who’s tipped into a love of murder…there’s a lot of smiling and joy at the end…  It’s a valid choice…but consider that Lane is as sad about this as Ronan.  Lane doesn’t want to have to do this to him, but they must.  I simply question the overt joy and relishing I’m seeing.  Think about it.

ROBIN

The last two lines “Ok, Robin.  Ok.” are rushed.  Take your time on those.  Bring the play to a soft close…

TW8 - Costumes Request!

Hi cast of Teen West!

I've sorted some images of clothing into folders, divided by character. It would be wonderful if you all could take a look through your closet and see if you have any of the pieces pertinent to your character, or anything you'd be willing to lend for another character. Shoes especially will be super helpful. 

Please bear in mind that the items that you bring in will need to stay at Wilson for the duration of the run, including tech. At the end you can either bring the items home on closing night, or I can launder them and return them to you post-strike. 

If you are part of the work call on Sunday and part of the cast,  bringing them in on that day would be extra helpful. Ideally I'll be able to smoosh some fittings in. Things that you bring in on Sunday/for your fitting won't need to stay at Wilson until tech starts.

Those who not be there on Sunday will hopefully be called this coming week and you will have a two day heads up on your fitting call. If you are able to make it in during the work call on Sunday (12p-5p), please let Jamie know. Super short notice so I'm not expecting the world here. 

The hooded chorus is excluded from all of the above, save for checking your closets to see if you have black sneakers. 

Thanks thanks! Feel free to contact Jamie or myself if you have any questions. 

CLICK HERE!

Alana Wight

TW8 - Reminder of Cancelations

Per our discussion yesterday at rehearsal, we are no longer rehearsing on:

W 2/5 or F 2/7

Please use this time wisely - to get ahead on school projects and/or to brush up on lines and memorization.  

TW8 - Rehearsal Schedule Overview Through Strike

TW8: You Cannot Undo This Action

Rehearsal Schedule Overview Through Strike

All dates / times are below are mandatory and were agree upon when you signed your audition form.  None of these dates / times are new.

There may be specific calls as we near these dates.  It is possible some people will be released from certain dates and times.  But for now, count on being present during these times.

REHEARSALS WEEK 8

M 2/10                        3:45p – 6:30p 

T 2/11                         4:15p – 6:30p

W 2/12                        3:45p – 6:30p

TH 2/13                      4:15p – 6:30p  

F 2/14                         Actors Off

TECH / DRESS REHEARSALS 

SA       2/15                 10:00a – 3:00p                        

SU       2/16                 1:00p – 10:00p            

M        2/17                 12:00p – 9:00p            

T          2/18                 4:15p – 10:30p            

W        2/19                 3:45p – 10:30p            

PERFORMANCE WEEK 1 

TH 2/20, F 2/21, SA 2/22                                           

5:30p CALL / 7:30p GO 

PICK UP, PICTURES, VIDEO

W        2/26                 4:00p – 9:00p              

PERFORMANCE WEEK 2 

TH 2/27, F 2/28, SA 2/29                                           

5:30p CALL / 7:30p GO 

STRIKE / ADDED SHOW 

SU       3/1                   10:00a – 6:00p            

             

TW8 - Hooded Chorus Music Tracks

As promised and per your request, here is a link to the 5 Hooded Chorus Tracks. You may download to your own devices by clicking the individual tracks and hitting the "...MORE" button. It is critical you not share nor post these tracks with anyone. One - we don't want to spoil the experience for potential audience members. Two - it's illegal. These are for your ears and rehearsal purposes only.

Click HERE.

TW8 - Crew Calls

Crew Calls and Schedule / Teen West Project: Year 8 - You Cannot Undo This Action

*Schedule subject to change (even though we’ll do everything in our power not to) according to needs on the ground, but dates/times should be held open

**We've done everything in our power at this stage to cover all the bases. If you or your group is missing from the call list, or if you're unsure of where you fall in the team...or if you have any scheduling questions whatsoever, please reach out to me directly onsite or at mjamie@pps.net.

***Thanks!***

j. 

Scenic Build (Scenic Lead, Apprentices, Willing Volunteers):

-2/2: 1200p-400p

-2/9: 1200p-500p (Add Sound Lead, Apprentices)

Costume Build (Costume Lead, Apprentices, Willing Volunteers):

-2/9: 1200p-500p

Lighting Hang/Focus (Lighting Leads, Apprentices):

-2/10: 630p-930p

-2/11: 630p-930p

-2/12: 630p-930p

-2/13: 630p-930p

Props (Props Lead, Apprentice):

-2/7: Props Due In

-2/15: Props Finished

Tech/Dress (Run Crew, Costume Crew, Props):

-2/15: 1000a-300p

-2/16: 100p-900p

-2/17: 1200p-900p

-2/18: 400p-1030p (Add House/Business Team)

-2/19: 500p-1030p (Add House/Business Team)

Performances / Week 1 (Run Crew, Costume Crew, Props, House/Business)

-2/20: 530p-1030p

-2/21: 530p-1030p

-2/22: 530p-1030p

Archival Video/Photo Shoot / PickUp Rehearsal (Run Crew, Costume Crew, Props)

-2/26: 400p-900p

Performances / Week 2 (Run Crew, Costume Crew, Props, House/Business)

2/27: 530p-1030p

2/28: 530p-1030p

2/29: 530p-1030p

Strike / Added Show Hold (All Cast/Crew/Mgmt Called)

3/1: 1000a-600p

TW8 - Rehearsal Schedule 1/27 - 2/7

TW8: You Cannot Undo This Action

Rehearsal Schedule:  1/27 – 2/7 

M 1/27

10:00a – 6:00p*                      (Full Show)

Called:             Full Cast

*Official lunch break 1:00p – 2:00p

T 1/28

4:15p – 5:15p                          (1.6, 2.3, 2.10, 2.15, 2.19, 2.21)         

Called:            Shawn, Austin, Sequoia, Amethyst, Lane, Robin

5:15p – 6:00p                          (1.1, 2.14)

Called:            Henry, Ronan

W 1/29

3:45p – 4:30p                          (1.7, 2.17)

Called:            Henry, Taylor

4:30p – 5:15p                          (1.5, 2.11)

Called:            Drew, Ronan

5:15p – 6:00p                          (1.2, 1.11)

Called:             Lane, Robin

TH 1/30

4:15p – 5:15p                          (1.4, 1.10, 2.2, 2.16)               

Called:            Blake, Kelsey, Andy, Henry, Harper

5:15p – 6:00p                          (2.5)

Called:             Brian, Michelle

F 1/31

3:45p – 6:30p                          (1.3, 1.8, 2.6, 2.13, 2.18)

Called:            Hooded Chorus, Ronan, Brian, Drew, Lane, Harper,                                        Taylor, Michelle, Kelsey, Amethyst, Shawn

M 2/3

3:45p – 6:30p                          (Act One)

Called:            Full Cast

T 2/4

3:45p – 6:30p                          (Act Two)

Called:             Full Cast

W 2/5

4:15p – 6:30p                          

Called:            TBD*

*This will be determined based on rehearsals on 2/3 and 2/4.  The Hooded Chorus WILL NOT be called on 2/5, so they can count on that.  All others are “on call” until the 2/5 rehearsal details are announced at the end of 2/4.

TH 2/6

3:45p – 6:30p                          (Run Show)

Called:            Full Cast

F 2/7

4:15p – 6:30p                          (1.3, 1.8, 2.6, 2.13, 2.18)

Called:            Hooded Chorus, Ronan, Brian, Drew, Lane, Harper, Taylor, Michelle, Kelsey, Amethyst, Shawn, (Robin) 

NOTE:  You should be attempting scenes off book as soon as possible throughout this rehearsal schedule.  It is fine to have a script in hand occasionally and to be better on some scenes than others.  But know that come 2/10, actors will no longer be able to call for lines.  DO NOT WAIT to work on this!  

TW8 - Scenic Design

Here is a view of the scenic design.  We will, of course, explain in more detail as you come into rehearsals and staging begins!

TW8 - Rehearsal Schedule 1/6 - 1/24

Below is the schedule for the next few weeks.  Please note, this is always subject to small changes, so always be on the alert.  You may also click HERE for a PDF to download.

M 1/6

3:45p – 6:30p                         (Full Read)

Called:             

Full Cast

T 1/7

3:45p – 5:30p                          (1.1)

Called:             

Henry, Ronan

W 1/8

3:45p – 4:30p                          (1.2)

Called:            

Brian, Michelle, Robin, Lane, Sequoia

4:30p – 5:30p                          (1.4)

Called:            

Blake, Kelsey, Andy, Henry, Harper

5:30p – 6:30p                          (1.5)

Called:             

Drew, Ronan

TH 1/9

3:45p – 5:00p                          (1.9)                

Called:            

Brian, Robin, Ronan, Michelle, Drew

5:00p – 5:30p                          (1.9 end)

Called:             

Robin, Lane

5:30p – 6:30p                          (1.6)

Called:            

Shawn, Austin, Sequoia, Amethyst, Lane, Robin

F 1/10

3:45p – 5:30p                          (1.3, 1.8)

Called:             

Ronan, Hooded Chorus

M 1/13

OFF

T 1/14

3:45p – 4:30p                          (1.7)

Called:            

Henry, Taylor

4:30p – 5:15p                          (1.10)

Called:            

Blake, Kelsey, Andy, Henry, Harper

5:30p – 6:30p                          (1.11)

Called:             

Lane, Robin

W 1/15

3:45p – 5:30p                          (Act 1)

Called:            

Full Cast

5:30p – 6:30p                          (1.3, 1.8)

Called:            

Ronan, Hooded Chorus

TH 1/16

3:45p – 5:15p                          (2.2)

Called:            

Harper, Blake, Andy, Henry, Kelsey, Taylor, Michelle, Ronan

Brian, Lane, Sequoia

5:15p – 6:30p                          (2.3)

Called:            

Amethyst, Austin, Shawn, Lane

F 1/17

3:45p – 4:45p                          (2.5)

Called:            

Michelle, Brian

4:45p – 6:30p                          (2.6, 2.7)

Called:            

Brian, Ronan, Drew, Hooded Chorus

M 1/20

OFF

T 1/21

3:45p – 4:00p                          (2.8)

Called:            

Brian, Lane

4:00p – 5:15p                          (2.9 – 2.12)

Called:            

Lane, Robin, Sequoia, Drew, Ronan, Michelle, Taylor

5:15p – 6:30p                          (2.13)

Called:            

Lane, Robin, Hooded Chorus

W 1/22

3:45p – 4:45p                          (2.14)

Called:            

Ronan, Henry

4:45p – 5:30p                          (2.15)

Called:            

Lane, Austin, Shawn, Amethyst

TH 1/23

3:45p – 4:30p                          (2.16)

Called:           

Kelsey, Harper, Blake, Andy

4:30p – 5:00p                          (2.17)

Called:            

Taylor, Henry

5:00p – 6:30p                          (2.18)

Called:            

Harper, Taylor, Michelle, Kelsey, Amethyst, Shawn, 

Hooded Chorus

F 1/24

3:45p – 5:15p                          (2.19 – 2.22)

Called:            

Amethyst, Shawn, Lane, Austin, Ronan, Henry

5:15p – 6:30p                          (2.6, 2.7)

Called:            

Ronan, Brian, Drew, Hooded Chorus